• In a Dublin Park, Light and Shade unframed print held at the edges against a beige wall
  • In a Dublin Park, Light and Shade by Walter Osborne, c.1895 — Irish art print
  • In a Dublin Park, Light and Shade framed print in a natural oak frame on a dark green wall beside a window, dappled plant shadow
  • In a Dublin Park, Light and Shade framed print in a black frame leaning against a white plaster wall on oak floorboards in morning light
  • In a Dublin Park, Light and Shade framed print in a white frame on a plaster wall above an oak worktop in a bright Scandinavian kitchen
  • Detail of In a Dublin Park, Light and Shade showing figures on a park bench under trees
  • In a Dublin Park, Light and Shade framed print in a black frame above a cream sofa
  • Walter Osborne park scene framed print in a black frame above a wooden side table with a lamp
  • In a Dublin Park, Light and Shade print with a white border on linen beside a cup of tea
  • In a Dublin Park, Light and Shade framed print in a white frame above a console on a green wall
  • In a Dublin Park, Light and Shade by Walter Osborne in a white wood frame, front view
  • In a Dublin Park, Light and Shade by Walter Osborne, framed art print on a pale wall in daylight
  • Walter Osborne park scene framed print in a black frame above a grey sofa in a bright room
  • In a Dublin Park, Light and Shade by Walter Osborne in a dark wood frame, front view
  • In a Dublin Park, Light and Shade by Walter Osborne, figures on a bench in dappled light
  • Walter Osborne's In a Dublin Park, Light and Shade, unframed print straight-on view
  • In a Dublin Park, Light and Shade by Walter Osborne in a natural oak frame, front view
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In a Dublin Park, Light and Shade — Walter Osborne Print

In a Dublin Park, Light and Shade — Walter Osborne Print

€79,00 EUR
€79,00 EUR
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Walter Frederick Osborne

Frame
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In a Dublin Park, Light and Shade (c.1895) hangs in the National Gallery of Ireland — NGI.1121, one of the most quietly powerful works in the permanent collection.

Walter Frederick Osborne painted this scene at the height of his powers. An old man at the edge of a bench, almost cropped out of his own picture. A young mother holding an infant on her knee, a barefoot boy at her side. Figures under dappled light beneath the trees. Osborne wasn't painting a postcard. He was watching people — Dublin's working class at the end of the 1800s — with the kind of attention that makes a painting last a century and still feel like something you've walked past yourself.

His handling of light is what separates him. The impressionistic softness, the small white dog in the foreground, the way shadow and sun move across the pathway — it's precise and tender at the same time. There's no sentimentality, just observation.

Walter Frederick Osborne (1859–1903) was one of the foremost Irish painters of the nineteenth century, trained in Antwerp under Charles Verlat and formed by the plein-air tradition. In a Dublin Park, Light and Shade, oil on canvas, 71 × 91 cm, was purchased by the National Gallery of Ireland in 1944.

Sizes & Format

  • 40 × 50 cm / 16 × 20″
  • Available framed (black, white, wood) or unframed

Print & Frame Details

Archival matte paper, 250gsm (110lb), acid-free and FSC-certified — off-white, uncoated. Framed prints: solid oak or ash wood frame, 20mm thick, with shatterproof protective glazing. Ready to hang, hanging kit included. Unframed prints up to A4 ship flat; larger sizes ship rolled in a protective tube.

Free Worldwide Shipping

Framed prints are packed with protective corners and wrap, boxed with reinforced edges, and braced with internal supports for extra rigidity (max 3 frames per package). Every order ships free, made to order and delivered from the hub closest to you: Ireland 3–7 business days · UK 4–8 · USA 5–10 · Canada 6–12 · Australia 7–14.

Framed in black, natural wood or white, or unframed. Printed on archival matte paper and made to order.

Frame options and sizes
Frame finishes
  • Black — ash
  • Natural wood — oak
  • White — ash
All frames are 20 mm deep, made from responsibly sourced timber.
Glazing
Shatterproof clear acrylic — lighter than glass.
Paper
Archival matte paper — uncoated, off-white, acid-free and FSC-certified. No gloss, no laminate.
Hanging
Framed prints arrive ready to hang, with a hanging kit for portrait or landscape. Unframed prints arrive without a frame — up to A4 ship flat, larger sizes ship rolled in a protective tube.
Care
For indoor use. Keep out of direct sunlight and away from damp. Dust with a dry cloth; wipe the acrylic with a soft, slightly damp cloth.
Shipping
Free worldwide shipping. Made to order and sent from the production hub closest to you — Ireland 3–7 business days, UK 4–8, USA 5–10, Canada 6–12, Australia 7–14. Framed prints are boxed with protective corners and internal supports.
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