• The Four Courts preview
  • The Four Courts, Dublin framed print in a natural oak frame on a dark green wall beside a window, dappled plant shadow
  • The Four Courts, Dublin framed print in a black frame leaning against a white plaster wall on oak floorboards in morning light
  • The Four Courts, Dublin framed print in a white frame on a plaster wall above an oak worktop in a bright Scandinavian kitchen
  • The Four Courts, Dublin by Walter Osborne framed print in an oak frame above a sideboard beside a sofa
  • Detail of The Four Courts, Dublin by Walter Osborne showing the dome, stone bridge and River Liffey
  • The Four Courts, Dublin by Walter Osborne print in a black frame
  • The Four Courts, Dublin by Walter Osborne print in a white frame, Liffey quays with the domed courts
  • Walter Osborne painting of the Four Courts, Dublin in a pale grey frame
  • The Four Courts, Dublin by Walter Osborne print in a light oak frame
  • Walter Osborne The Four Courts print in a slim white frame, figures working along the river bank
  • Walter Osborne The Four Courts, Dublin print in a natural wood frame, arched bridge over the Liffey
  • Walter Osborne The Four Courts, Dublin print in a black wooden frame, misty Dublin cityscape
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The Four Courts, Dublin by Walter Osborne Art Print

The Four Courts, Dublin by Walter Osborne Art Print

€55,00 EUR
€55,00 EUR
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Walter Frederick Osborne

40x50 cm / 16x20″

Size
Frame
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The Liffey shimmers. The dome holds court. Dublin, exactly as it was — and always will be.

The Four Courts, Dublin by Walter Osborne

Walter Frederick Osborne painted this iconic Dublin scene in the 1880s with the quiet mastery of a man who truly loved his city. The Four Courts rises through soft impressionist light, its grand stone facade reflected in the Liffey below — a moment of stillness captured at the heart of a city that never stops moving.

Held in the collection of the National Gallery of Ireland, this is one of the most recognisable and beloved images in Irish art. Now available as a fine art quality fine art print for your home.

Print Size: 40×50 cm / 16×20″

Choose Your Format

  • Framed Print — Arrives ready to hang in your choice of solid wood frame: Natural Oak, Matte Black, or Gloss White. No measuring, no hassle.
  • Unframed Print — Printed on premium archival paper, rolled and shipped securely. Perfect if you have a frame in mind or prefer to mount it yourself.He returned to Ireland with a refined eye and a deep affection for his native city — painting its streets, its light, and its people with warmth and precision. He remains one of Ireland's finest and most celebrated painters.

    Shipping

    from Ireland. Tracked, securely packaged, and delivered in 2–5 business days.

Print & Frame Details

Archival matte paper, 250gsm (110lb), acid-free and FSC-certified — off-white, uncoated. Framed prints: solid oak or ash wood frame, 20mm thick, with shatterproof protective glazing. Ready to hang, hanging kit included. Unframed prints up to A4 ship flat; larger sizes ship rolled in a protective tube.

Free Worldwide Shipping

Framed prints are packed with protective corners and wrap, boxed with reinforced edges, and braced with internal supports for extra rigidity (max 3 frames per package). Every order ships free, made to order and delivered from the hub closest to you: Ireland 3–7 business days · UK 4–8 · USA 5–10 · Canada 6–12 · Australia 7–14.

About this work

The Four Courts, Dublin was painted by the Irish artist Walter Frederick Osborne (1859–1903), the Dublin painter who brought a plein-air, French-trained eye to Irish street subjects and died of pneumonia at forty-three. It shows James Gandon's domed courts building on the north bank of the Liffey. The National Gallery of Ireland records no date for the picture, so none is given here. The original is oil on board, 32.5 × 40.5 cm, and hangs in the National Gallery of Ireland (NGI.1916), purchased in 1969. This print is an open edition, made to order and shipped worldwide.

Framed in natural wood, black or white, or unframed. Printed on archival matte paper and made to order.

Frame options and sizes
Frame finishes
  • Natural wood — oak
  • Black — ash
  • White — ash
All frames are 20 mm deep, made from responsibly sourced timber.
Glazing
Shatterproof clear acrylic — lighter than glass.
Paper
Archival matte paper — uncoated, off-white, acid-free and FSC-certified. No gloss, no laminate.
Sizes
  • 20x25 cm / 8x10″ — Unframed, natural wood, black, white
  • 40x50 cm / 16x20″ — Unframed, natural wood, black, white
  • 60x80 cm / 24x32″ — Unframed, natural wood, black, white
Hanging
Framed prints arrive ready to hang, with a hanging kit for portrait or landscape. Unframed prints arrive without a frame — up to A4 ship flat, larger sizes ship rolled in a protective tube.
Care
For indoor use. Keep out of direct sunlight and away from damp. Dust with a dry cloth; wipe the acrylic with a soft, slightly damp cloth.
Shipping
Free worldwide shipping. Made to order and sent from the production hub closest to you — Ireland 3–7 business days, UK 4–8, USA 5–10, Canada 6–12, Australia 7–14. Framed prints are boxed with protective corners and internal supports.
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